Abstract expressionism as cultural critique
United states, politics and government, 1945-1953
Abstract expressionism
Artists, united states
Political activity
Artists
Politics and government
Abstract Expressionism as Cultural Critique examines the artistic aims of the New York School of painters within the context of left-wing political discussions during the 1940s and 1950s. By drawing on new primary material from government archives and contemporary art critics, including Meyer Schapi…
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