Harmony and voice leading

Carl Schachter, Edward Aldwell

1978

Istitutioni harmoniche

Gioseffo Zarlino

1968

Elementary training for musicians

Paul Hindemith

1946

An introduction to the skill of musick

Playford, John

1972

Bach

Malcolm Boyd

1983

Counterpoint

Heinrich Schenker, John Rothgeb

1987

Graduate review of tonal theory

Steven G. Laitz

2010

Modal counterpoint, Renaissance style

Schubert, Peter

1999

Gradus ad Parnassum

Johann Joseph Fux

1725

Preliminary exercises in counterpoint

Arnold Schoenberg

1970

Counterpoint

Walter Piston

1947

Fronimo

Vincenzo Galilei

1985

Polyphonic Composition

O. Swindale

1968

Workbook for Harmony through melody

Horton Charles, Charles Horton, Lawrence Ritchey

2000

Cours de contrepoint et de fugue

Luigi Cherubini

1854

Twentieth-century music idioms

G. Welton Marquis

1964

Counterpoint

Kent Kennan

1972

Cours de contrepont et de fugue

Luigi Cherubini

1841

Counterpoint Workbook

Kent Wheeler Kennan

1986

An introduction to sixteenth-century counterpoint and Palestrina's musical style

Stewart, Robert

1994

Counterpoint applied in the invention, fugue, canon and other polyphonic forms

Percy Goetschius

1902

Bach and the meaning of counterpoint

David Gaynor Yearsley

2002

Harmony simplified

Hugo Riemann

1896

A handbook of modal counterpoint

Stella Roberts

1967

The study of counterpoint

Johann Joseph Fux

1965

Neue musikalische Theorien und Phantasien

Heinrich Schenker

1906

Counterpoint for beginners

C. H. Kitson

1929

Contrapuntal technique in the sixteenth century

Morris, R. O.

1922

Some aspects of counterpoint in selected works of Arnold Schoenberg

Boris Pillin

1971

T

Traité de contrepoint et de fugue

Théodore Dubois

1901